Antigone vs Creon as Tragic Hero in Sophocles's "Antigone". Quotes taken from harcourt/ Dudley Fitts and Robert Fitzgerald translation.

According to Aristotle, a sad gunslinger in a classical drama moldiness meet certain requirements. The tragic hero must be of noble birth, be fundamentally good, must live with a tragic f legality, and must have a indorsement of realization at some foreland in the work. Although Antigone is the namesake of the Sophocles con and is a hero in her give birth right, she is non a tragic hero. Creon is the true tragic hero of Antigone in the traditional sense of the term. Both Antigone and Creon were born of noble riptide as they are members of the same family. However, Antigones birth is corrupted as she is the minor of a brother and sister. This almost immediately disqualifies her as the tragic hero. Antigone is more than basically good; she never waivers from her mark because she knows that she is right, whereas Creon stands someplace in the middle of the road. He is basically good, and he can easily be lead widely by his own flaws as the reader sees immediately. An tigone never has a moment of recognition. From the beginning of the play she knows and accepts her fate for upholding her moral beliefs. This is non a consequence of a flaw, rather it is a complete(a) trait. Creons unexplored fate becomes increasingly apparent throughout the play and is distinctly a product of his dynamic character flaws. Antigone is a clear-sighted victim of Creons tyranny and mortal law, almost a sufferer; Creon suffers because his pride causes him to transgress a higher law, the law of the gods. Thus, the decisive difference between the tragic value of the devil characters lies in the nature and cause of their suffering. In the end, Creon recognizes his flaws and in doing so reaches an empyrean state of understanding. Though Antigone faces... If you want to get a undecomposed essay, order it on our website: BestEssayCheap.com

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