In Heart of Darkness, Joseph Conrad relies heavily on the differences between appearances and realism to induce conflict in the story. From the appearance of the ivory mess and the untarnished of Africa, to the foresee of Kurtz himself, Conrad clearly shows us that appearances can be deceiving. As Marlow relates his story, the reader is drawn into a world of contradictions. These contradictions challenged the astray true European views of that time. Â Â Â Â Â Â Â Â When Marlow begins his quest to sail his ship up the Nile river to extend to in the adventure and excitement that is the ivory art, he describes the initiative as a noble cause (pg 6). Marlows aunt called him an spy of light, something like a lower sort of apostle whose aspire was to [wean] those swinish millions from their horrid ways (pg 10). Yet through Conrads use of diction, our basic image of the ivory trade is an image of unfairness, death, and despair: pieces of decaying machinery (pg 12) shadows of unsoundness and famishment picture of a massacre or a pest (pg 14). This may have been a harsh reproof of the British colonialism in Africa, and revealed the hypocrisy of those in the ivory trade who claimed to be civilizing the savages: It was as unreal as everything else-as the philanthropic stalking-horse of the respectable-page concern ...
The only real feeling was a impulse to ... earn percentages (pg 21). Â Â Â Â Â Â Â Â Throughout the story, the African jungle is presented as a dark and alien landscape with the lurking death, ... the hidden evil, ... [and] the dim darkness of its hea rt (pg 28) of an unknown planet (pg 32). To! Marlow, while he was in the heart of the African jungle, the earth seemed unearthly (pg 32). Yet, as he ventured deep into this... If you want to get a full essay, post it on our website:
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